This Cat's Purr

 



Cats purr … with a consistent pattern and frequency between 25 and 150 Hertz. Various investigators have shown that sound frequencies in this range can improve bone density and promote healing. . . in bones and muscles. - Scientific America, “Why do cats purr?” April 2006

After a good cry,  
I pick up the cat, 
who's sprawled
across my office floor, 
limp and heavy
with sleep. I curl
his body against my heart, 
where he settles and purrs 
himself back into unconsciousness. 

Did five-year-old me know, 
when she begged to own a kitten, 
that even this need would be met? 

No, of course not. 

This cat’s purr, 
radiating healing, 
is pure grace – a combination 
of creation’s wisdom and a little 
girl’s intuition, to hold what is 
soft and healing to her 
gentle, loving heart. 



Me, age 5, holding two of my very first kittens.

A World in Transition

We walk daily circles around the yard, stretching our legs amidst long hours spent working on screens.  Frost arrived this weekend, impossibly early, and now, as we walk and watch, we witness the world - birthed in spring and matured in summer - receding, one plant, one insect, at a time. 

Frost has blackened leaves on the pepper plants in our garden, indiscriminately shriveling some while others remain unmarred. This morning, after three nights in the 30s, most of the Zinnias bear damage – some petals bleached white, others prematurely shriveled and brown. 

It’s strange, how the touch of frost’s icy fingers produces an effect so similar to fire, both burn at the touch. Too hot or too cold, the impact is the same – the shriveling, blackening, pulling back from life. 

The new purple Aster, a fall bloomer and late food source for honeybees preparing for winter, has yet to form buds. But our mums are crowned with hundreds of tight-fisted possibilities, green buds with just a hint of color foretelling the shade of flowers to come – rusty gold or brick red. 

Every day, I check the progress of a monarch cocoon that dangles precariously on the underside of a giant milkweed leaf. The cocoon is still largely green, and I wonder at the frost’s impact on the caterpillar’s delicate transformation. Will new life emerge in time to wing its way south to Mexico or will it be forever suspended, stunted, neither able to return to what it was or emerge into what it will be? 

Our kids are happy to be back at school, walking off to classrooms and tethered to laptop screens. My husband continues to work, steadily, at his make-shift desk in the unheated mudroom. I alone, have no place to be. I have no work to return to and what I will be, what I will do beyond the daily, has yet to emerge. 

I feel in myself the anxiety of being suspended between what was and what will be. Perhaps, this is why I visit the monarch each day - hoping for its transformation to be complete, hoping it emerges in time to head off to a balmy winter retreat. The chrysalis invites me to a stark surrender, a willingness to let go and wait to see what emerges. 

Today, I scooted around behind the giant stalk of half-eaten milkweed, hoping to catch a blog-worthy picture of the cocoon. Crouched behind the plant, I saw the prominent gold specks dotted around the top of the cocoon, like a crown. There is beauty in the process. 

Pastor

 


How does she

become

what is

not

allowed?

How do gifts

grow;

gifts she is

not

allowed

to have,

much less,

God forbid,

use?

 

Where

is the model,

the mirror,

for her

becoming?

 

What energy

will be wasted,

what creativity

squandered,

in the effort

to prove

her right

to be

 

in the room?

 

I see you

daughter.

I call you

by your name:

Pastor.

 

Come forth,

dear one,

come into

every gift

that is yours

from birth.

You are the mirror.

You are the model.

Come forth.

 

Without

your faithful

presence,

we see

only a sliver

of the divine.


* for all of the female pastors I know, still struggling to gain access to the rooms of power, still sitting through professional conversations in which the validity of their ministry is questioned, still wondering if it's ok to be who you are. I see you, we need you.

Difficult Women: St. Joan of Arc, Zinnias, and Me

 Art by Rachel Grant in the 2020 Women Who Rocked Our World calendar.


Every man gives his life for what he believes. Every woman gives her life for what she believes. Sometimes people believe in little or nothing, and so they give their lives to little or nothing. One life is all we have, and we live it as we believe in living it . . . and the it’s gone. But to surrender who you are and to live without belief is more terrible than dying – even more terrible than dying young. - St. Joan of Arc 


I’ve been sharing office space with Joan of Arc for the past month as she stares out at me from the August page of my Women Who Rocked Our World calendar. The artist’s image, paired with a quote, conveys an air of certainty and defiance, a sense of strength rooted in something beyond the realities of the world in which she lived.

 

A brief bio at the bottom of the page reads, “In a time when only men had power or choice, Joan of Arc commanded both. ‘I’ve arranged your marriage,’ her father said. Joan refused, changed into pants, cut her hair, and called herself Joan the Maid. She proclaimed her God-given destiny was to free France from the English invasion.” Joan led the army that restored France’s king in the early 1400s, only to be captured and executed two years later by a church heavily influenced by her former military enemies.  

 

//

 

I never had any real interest in Joan of Arc until I wrote a paper on her for a seminary class on Medieval Female Mystics. It was one of the few papers that pushed me beyond the bounds of the seminary library and sent me across the street, hunting through the dark stacks of Princeton University’s library. I read everything I could find and wrote an extensive paper based on the idea that Joan of Arc represented an early proponent of Liberation Theology. It was a stretch perhaps, a bit of a convoluted hypothesis, that produced the only B grade of my whole seminary career. All of that to say, Joan and I go back awhile, but I’m no expert on her story.

 

Reading the quote from my calendar, I realize the artist and author are doing something similar to what I did, coopting Joan’s story for a cause (feminism) that came much later than her brief and complicated life. In doing so, they raise an important point – Joan of Arc broke out of the expected feminine constraints of her day.  But they do so at the risk of confusing Joan’s motivation – Joan of Arc was called by God to deliver the French people living under an oppressive English occupation. This is the reason for her certainty, the reason for her throwing off expected social constraints.

 

//

 

I’ve been thinking lately about “difficult women.” Women are branded as “difficult” in our culture for any number of reasons – for speaking clearly, for refusing to bend to abuses of power, for advocating for change that is inconvenient to the status quo. The label “difficult” is meant to be pejorative. But I’ve been wondering lately whether the label, “difficult” might be more of an honor than a disgrace.

 

Joan of Arc, with her level-headed stare, and unwavering belief strikes me as a “difficult woman.” Her clarity, calling, and conviction are rooted in the voices of saints that she alone can hear. She has no proof other than her life, which she gives wholeheartedly and without restraint.

 

Which brings me to the Zinnias . . .

 

//

 

There are zinnias the size of salad plates in my garden this year - fat magenta petals flung wide atop of thick, green stalks. The stems are hearty and bristle with course hairs and the biggest flowers stand tall, with perfect posture, declaring themselves to the world.

 

I’ve been sharing heart space with those Zinnias this month, just as I share office space with Joan. I feel drawn to the garden to visit them. I feel loath to cut them for a bouquet or bring them inside. Those Zinnias stare me in the eye, as Joan does, in turns challenging and inspiring me with their clarity and certainty. My heart hears those zinnias proclaim, “My path ahead is clear . . . I was born for this.”

 

Those zinnias, like Joan of Arc, stand tall and confident because roots that dig down deep, drawing strength from unseen places, pushing past constraints, and living as they were made to, for as long as grace is given for them to do so.

 

I'm sharing space this August with Joan of Arc and those giant Zinnias. I’m listening to the invitation to grow deep roots, to live with clarity and conviction, to shine bright and uncompromising, like a woman in military garb, a zinnia in fuchsia standing with its face turned toward the sky. I'm letting the label, "difficult," fall where it may, and living as I believe, whatever the cost may be. 

What's A Pastor to Do?



But what’s a pastor to do when [she’s] got no people to pastor?*

 

I slipped an extra egg

under the broody hen

and marked the eggs

already gathered there

with a permanent marker’s

red x.

 

The hen settled down,

welcoming new eggs and old.

She puffed wide, her feather-bare

chest, radiating one hundred

and one degrees.

 

I picked five cucumbers

and weeded around the late-started

zinnias. I asked after zucchini

and green beans, peering between

large green leaves, but the answer was,

“not yet.”

 

I hung wet clothes on the line,

washed and dried over thirty-five

t-shirts. I went to the store for milk.

I cooked a chicken and helped

my son bake a two-layer chocolate

cake.

 

This is what I did

when I had no people to

pastor.



*This question, posed by a pastor in Winn Collier's novel, "Love Big, Be Well: Letters to a Small-Town Church," got caught in my soul and sits there still. It's a good question, because asking (and answering it) well raises all sorts of other questions. Sometimes a good question can shed more light than even the best of answers.

 

Curiosity and Wonder Might Just Save Us All



“They’re acting like a$$es.”

 

This is what I told my husband in a quick, condemning whisper during the few seconds our four kids were more than an arm’s length away from us on the hiking trail. I’m not proud of my words, it’s not language I use often, especially in reference to my kids. But I want you to know just how bad it was.

 

Our long-awaited vacation had arrived, and I was ready for us to be happy, grateful and relaxed. I had bought into the cultural myth of the “happy family vacation” – the ones you see in pictures, where siblings with smiling faces stand with their arms carelessly cast around each other’s shoulders in front of a serenely setting sun. I’d forgotten how new spaces – even welcome, joyfully anticipated ones – unsettle carefully orchestrated family dynamics. I’d forgotten how anticipation often equals heightened expectations. I’d forgotten how hard family vacations can be.

 

And so, we found ourselves rumbling down a hiking trail like a gang of hangry bears. Kids fought, picked, and climbed on top of each other. They complained about the hike, the heat, their siblings. The words, “stop hanging on me,” “stop fighting,” “keep walking,” shot from my mouth on an endless loop. I believe, at one point, I announced, “If you don’t stop fighting, we’re going to walk the rest of the way single-file, in silence.”

Nothing worked.

 

That is, nothing worked until we jostled around a bend in the trail and noticed a doe standing in a clearing at the forest’s edge. “Look, a deer,” someone announced.

 

We turned and acknowledged the sight. Our walking and talking slowed. Someone noticed the flicker of a white tail just inside the forest’s shade. “There’s another deer in the woods. Look. See it?” One, by one, we paused and pointed, waiting for the flash of a white flag in the shaded forest’s deep green.

 

“Maybe it’s a fawn,” someone suggested.

 

Then, my husband added, “I bet, if we kneel down, it might come out.”

 

The six of us fell to our knees without argument or question. We knelt, facing the open field, crouched within arm’s reach of each other. Silence descended, save for a few whispered questions and observations. After a few minutes, the second deer tip-toed silently from the woods and we saw they were about the same size – likely a set of twins on their way to the lake for an evening drink.  

 

There was no arguing, no complaining, no pushing or shoving. The agitation of the heat, the bugs, the siblings vanished.  

 

“Maybe, if we’re quiet, they’ll come closer,” someone suggested.

 

We waited and watched the deer who waited and watched us. We spoke in whispers and the deer carried on their own conversation with flickering tails and cautious movements forward and back.


Those deer did what I could not do. Stirring up holy curiosity and wonder, they pulled us together and brought us to our knees. Divisions eradicated, we found ourselves stunned into a unity of awe. 


//


And so I pray for moments of curiosity and wonder to descend on our deeply divided world. That we would stop our fruitless chiding and bickering and fall to our knees. That we would learn to whisper questions and work in unison that the hope of the holy drawing near would be our unifying desire. 


Nothing else seems to be working.

Beauty Blooms in Framed Spaces


It is only in framed space that beauty blooms. – Anne Lindbergh

 

The haiku settles for doing, as I read it anyway, one very simple but crucial thing – it tries to put a frame around the moment. It simply frames a moment. Of course, as soon as you put a frame around anything, you set it off, you make it visible, you make it real. - Frederick Buechner

 

A rose bush dances 

in the middle window 

of my office’s far wall. 


Beyond the bush, our back 

door stands wide open. 

My daughter is sitting 

on the back step. 


Blond and fresh, 

she is bent forward 

examining something 

in her hands. 


Her limbs are long, 

her hair is long, 

and the sun spotlights 

her in the door’s dark frame. 


She is engrossed 

in the movements 

of an insect making 

its way between her two hands - 

climbing a finger, then falling 

back to her palm. 


In a flash of motion, she looks up, 

thrusts her hand forward 

and the insect flies away - 

a black blur across the wide 

sunlit space. 


Then, she too flies, 

off the stoop and out 

of the frame and I 

am left here, writing 

the picture of beauty 

I saw through the middle

window of my office's far wall.


This poem is shared with dVerse poet's pub.