What kind of space does your heart long for? How do you reflect the spirit of God in the spaces you've been given?
Little House Updates and Virtual Photo Tour
What kind of space does your heart long for? How do you reflect the spirit of God in the spaces you've been given?
All the Colors We Need: Expanding Your Palette
"If you can segregate yourself enough, that you don't get to experience all the different cultures, and people, and beauty... then really, you're not just missing out on that personally, you're missing out . . . on a piece of the image of God. Seriously. You're not letting yourself see and experience the fullness of God if you continue to be ok with your world staying white." - Lisa Mays
Violet, Saffron Yellow, Paprika, Black – these are just a few of the colors I bartered from a friend a few summers back. She'd purchased the acrylics for a painting class, but never used them. They weren’t the colors I'd pick, but they were free and, just like that, I found myself in possession of an expanded palette.
Those colors sat in my paint box for a long time as I leaned toward my favorite shades of turquoise, magenta, chartreuse, and mango. My friend’s colors were darker than mine, richer, and bold. I shied away. In truth, I found it hard to believe that, faced with a wall of paints, someone would choose those colors. I certainly wouldn’t. I believed her colors were wrong and mine were right.
Until I didn’t. And I began to incorporate her palette into mine.
//
I bought 4 or 5 new tank tops this summer, mostly in neutral colors, save for one in my favorite shade of turquoise blue. I saved that top like a treasure for a day when I knew I wouldn’t ruin it digging dirt in the yard or cooking. Finally, one morning, with plans to meet a friend, I pulled it on: my new, turquoise top. It wasn’t until I reached out to grab my favorite earrings, in a matching shade of blue, that I thought of my former co-worker, the one who called those same earrings green.
I paused, looked down at my shirt and thought to myself, Lisa would call this shirt green. I took a quick picture with my phone and texted it to her: “I was all excited to wear my new blue shirt today, but when I put it on, I realized you would call it green!”
She replied a few minutes later, matter-of-factly, “Yeah, it’s green.”
I don’t remember when it started, but at some point, after several conversations in the office where we worked together, Lisa and I realized we saw and labeled colors differently. The most shocking (to me) was my favorite blue that she saw as green. I was so fascinated that we could look at the same object and label it differently that I developed the habit of running into her office at least once a week with a color related question. “What color do you call this?” I’d ask, holding up a notebook cover or pointing to an image on one of her most recent pieces of graphic design, eagerly awaiting her reply.
Lisa told me how a paint store owner named a color of paint after her special request for a room the shade of her “teddy bear’s feet.” She helped me see that pink (a color I adore) is in the same color family as red (a color I barely tolerate). She helped me see that greens can lean toward blues and visa-versa and that the line between the two might not be as clear as I thought it was.
Lisa and I, different ages, different races, bonded over the differences in the way we saw colors. She helped me see there was more than one way to look at things and that things, even as fundamental as colors, might change depending on your perspective.
//
How lucky I am to have friends who see the world differently than I do. Some help me embrace the darker, bolder hues. Others help me understand that the way I see things is only one way among many. I'm wondering - what colors are missing from your life? Who might help you find them?
Maybe my friend, Lisa, can help you too? Check out this video presentation Lisa gave last Sunday, talking about her experience of the world as a black person in the 1960s and 70s. She has such amazing perspective and insight and communicates in such a gentle, thoughtful way.
The Road is Wide, the Rain is Falling
The words, "deeply grieved" hardly begin to convey the depth of fear, anger, and concern I feel over the treatment of asylum seekers at our southern borders. Men, held in standing room only conditions. Children, separated from mothers, from fathers. Children younger than my own boys who beg for dessert after every meal and snuggle into my sides while reading on the couch. There is something deeply wrong with all of us who can endure these reports and still believe it has nothing to do with who we are.
Yesterday, I thought again of Naomi Shihab Nye's poem, "Shoulders" - only this time it is a man crossing a river with his daughter in his arms, the hum of his daughter's dream - his daughter's future - deep inside him. Only now, that dream is dead.
This fourth of July, I'm sharing Nye's poem along with a post I wrote in 2017. At that time, I could not name the force that kept us apart. Now, two years later, I believe that force is this: the belief that the differences that separate us are stronger than the forces that unite us.
The road is wide, friends. The rain is falling. I fear, if we don't reach out, don't learn to hold hands, to see beyond what divides, we will all be swept away.
//
Shoulders
A man crosses the street in rain,
stepping gently, looking two times north and south,
because his son is asleep on his shoulder.
No car must splash him.
No car drive too near to his shadow.
This man carries the world's most sensitive cargo
but he's not marked.
Nowhere does his jacket say FRAGILE,
HANDLE WITH CARE.
His ear fills up with breathing.
He hears the hum of a boy's dream
deep inside him.
We're not going to be able
to live in this world
if we're not willing to do what he's doing
with one another.
The road will only be wide.
The rain will never stop falling.
//
Cold rain turned his thin, white t-shirt translucent as he bent his body, like an umbrella, over the double stroller. The newborn baby cried and he cradled it against his chest with one hand while rooting in a diaper bag with the other. The girl, a big sister at three or four years old, sat quietly in the stroller - her brown eyes wide, her dark hair and pierced ears glinting in the early morning light.
//
Hundreds of strangers had lined up throughout the morning, eager to bargain hunt at the annual thrift sale benefiting United Way. A friend of mine, a veteran shopper of the sale, arrived at the door by six thirty. Among the first in line, she staked out a coveted position as the best deals went very, very quickly.
I rolled in a few minutes after seven, with a mug of coffee in hand, and took my place thirty to forty people behind my friend. I waited behind a young Hispanic man with two children in a stroller and in front of an old-timer who'd brought a plastic crate to sit on. The line stretched out, single-file, across the parking lot, growing steadily as we waited for the doors to open at eight.
Time passed slowly. The old-timer held my spot for me while I went to find a toilet. The newborn in the stroller woke and cried and was jiggled back to sleep again. Pleasantries were exchanged in that guarded but polite Central Pennsylvania way.
The old-timer behind me carried on a long conversation with a woman two people ahead of me, bemoaning his no-good sons-in-law who couldn't keep a job, couldn't even change a tire. The woman, in exchange, revealed she'd recently been laid off after twenty years on a job. "Ain't nobody wants to hire you when you're my age," she said. "Believe me, I know." The general consensus between them seemed to be that young people weren't worth much these days. The Hispanic man and I, both younger by far, exchanged uncomfortable glances.
By 7:30, the sky was growing darker, not lighter, and the forecast of possible rain turned certain. I ran back to the truck and grabbed my rain coat when the first drops started and my friend, still stationed at the front of the line, brought me her extra umbrella.
Scattered drops turned steady and an icy wind picked up. About fifteen feet away, the building we were waiting to enter offered a small triangular overhang. The old-timer was the first to take cover, leaving his plastic crate to hold his place in line. The father followed soon after as the wind forced rain past the double stroller's shabby shades and the baby woke again, crying and hungry.
He pushed the stroller the ten steps to the overhang and sidled it as close as he could against the wall. The old-timer scooted over to make room in the tiny triangle of shelter. The rest of us in line, some with rain coats and umbrellas, watched this father without a coat, trying to protect his children while also mixing a bottle of formula. We were rooted in place, rubberneckers, observing one small family's drama unfold.
//
I can't name the force that held us in line, keeping us from offering help or heading, en masse, to wait under a large catering tent nearby. Whatever it was - fear, longing, desire - the feeling was palpable, like a force-field keeping us all apart, causing us each to suffer the storm in isolation, single-file in the passing cold and rain. This force, I believe, though I can't put my finger on its exact shape or name, is one of, if not the signature evil of our times. Under its sway, as Naomi Shihab Nye predicts in her poem, Shoulders, "the road will only be wide, the rain will never stop falling."
Somehow, we must kindle the courage, the imagination, necessary to enact an alternative to our chosen isolation. What will it take for us to break out, to break through, to one another?
//
It was the way he curved his body over the stroller, the rounded defenselessness of his back as he leaned, rooting in the diaper bag; it was the way he sheltered them that caused my feet to move, that broke me out of line. My feet moved, of their own accord, and then I was there, behind him, my body blocking him from the wind, my friend's umbrella held high at an angle over the two children and their dad.
He turned, slightly, at my approach, acknowledged me with a nod, and carried on preparing the bottle, then feeding his infant son. We stood close, awkwardly close in the small space, and didn't speak a word. I smiled at the solemnly shy little girl with her deep brown eyes that drank in the world.
The rain passed, the sun peaked out, and we moved back into line. The old-timer caught my eye. "That was a nice thing you did," he said, "real nice."
//
Somehow, we must kindle the courage, the imagination, necessary to enact an alternative to our chosen isolation. What will it take for us to break out, to break through, to one another?
One Craft, Many Ways: The Gift of Large Families and Writing Retreats

On a recent afternoon, my middle son flew off the bus and in through the front door, driven by an urgent demand. “Mom! Mom! I want to buy a felting kit! Can I buy a felting kit?” he cried, throwing his coat and backpack to the ground.
“A what?” I asked, while reminding him to hang up his things.
“Get the computer,” he said, “I’ll show you.”
Curious, I pulled out the laptop and sank into a chair. Isaiah and his brother, Levi, both in second grade, crowded around me, buzzing and bouncing with excitement. I googled the words, “needle felting kit” and quickly found the set his art teacher recommended. We placed an order and several days later, the kit arrived in a small cardboard box.
The box was packed with bags of felting wool dyed in shades from black to ruby red, as well as a foam mat, finger guards, and long, deadly-looking, metal needles. Isaiah pounced on the kit like a hungry lion tearing apart its prey. Bags of wool exploded in all directions and he dove into a project following the step-by-step instructions included with the kit.
He felted like it was his job.
He felted like his life depended on it.
In short time, he completed one, two, then three penguins, repeating the same step-by-step directions.
//
Levi also ordered a felting kit. But, being more frugal than his twin brother, he carefully sorted through options on Amazon, pouring over customer reviews, before deciding on a smaller kit that saved him ten dollars. He was most excited about the plastic toolbox included with his kit, as well as a special pair of dangerous-looking scissors.
Levi’s box arrived a few days later than Isaiah’s and, given the intensity of Isaiah’s progress, Levi felt pressured and behind. He chose a project and worked doggedly toward its completion, clearly not enjoying it as much as he thought he might. Within a day, he completed an adorable owl with big blue eyes. Then, he tucked his tools into the toolbox and placed all the wool and the toolbox into a larger cardboard crate. This, the storing and saving, pleased him more than the crafting itself.
//
Finally, my third and oldest son asked if he could try felting. Isaiah gave him a small amount of white wool and he set about felting haphazardly, without the intensity and stress his brothers displayed. He made a small, white ball, then added a green dot, which became an eye. Then, he added a yellow beak, followed by a short, white tail. He laughed at every new idea, every new addition. He was playing, improvising, like a jazz musician.
Watching him, I commented to my husband, “His work is so outside-of-the-box.”
My husband said, “I don’t think he even knows there is a “box.””
//
I watched my boys working at the living room coffee table over a series of several days. I tended their needle-jab wounds and held wayward pieces of wool in place while fearing for my own fingers’ safety. I encouraged them when the going was rough and exclaimed over their finished projects.
They were all creating, but each did it in their own way.
This can be one of the gifts of being part of a large family, being part of a group large-enough to allow space for a variety of ways of being. This can be one of the gifts, too, of attending a writing retreat.
//
The Friday night Open Mic event is one of my favorite parts of the God’s Whisper Writing Retreat. One-by-one writers of every genre share glimpses of where their words have taken them. As each writer shares, the variety of voices and styles present works its magic on the group as a whole. I can almost feel the artists in the room heave a collective sigh as it becomes clear, There’s room for my voice too, for my way of being and creating in the world. There’s room for me AND you.
Part of the beauty of God’s Whisper Writing Retreat is that it echoes this “large family experience.” Exposure to others, coupled with the space to explore and hone your own abilities, leaves attendees with a clarity about their unique gifts and this clarity produces confidence and enthusiasm. God’s Whisper Retreat celebrates one craft, honed and practiced in many ways. Everyone receives the same life-giving message: There’s room for your voice too, for your way of being and creating in the world. There’s room for me AND you.
The Wood Stove (Need Draws Us)
The Kingdom of Heaven is Like a Tree
What is the kingdom of God like? And to what should I compare it? It is like a mustard seed that someone took and sowed in the garden; it grew and became a tree, and the birds of the air made nests in its branches. Luke 13:18-19
A large, brown seed sat in our cupboard for a good month or more. Sealed in a zip-loc bag, surrounded by moistened paper towels, it was my husband's experiment, the result of a moment of possibility.
It seemed, at best, forgotten.
Then one day, after an online search for instructions, he planted it shallow in a white ceramic pot. He watered it and placed it on the windowsill.
Something maternal in me must have kicked in then, because I watered it faithfully along with my violets and ivies. I watered it too little. I watered it too much. The sun came and went and, still, it sat there just the same - half-buried and silent, like a stone sleeping in the barren brown dirt.
I can't tell you how long it took - weeks? months?
I watered. I watched. I waited and forgot to wait. Inside the seed, secret life stirred, hidden, invisible.
Then the seed split. It cracked open, right down the middle, and out curled a small green shoot, bent but rising, like a head that had been bowed in prayer for such a long, dark time, but now lifted to take a look around.
//
The kingdom of God is like this, Jesus said, and then later also he added, "the kingdom of God is within you."
//
Maybe we too are like that seed, like trees planted and growing, seen and unseen, in the midst of a busy and barren world. We are watered, too much at times, or not, and the roots grow first, hidden, pressing down blindly, like worms in the dirt and secret places of our lives.
Then we too are cracked open, split right down the middle of our lives. We are the shoot that rises, the seed splitting, the roots rooting down deep. We are the ones drinking in light and water and growing, always growing, into trees of every shape, color and size.
And the birds of the air - those lonely, wandering, homesick birds - make their nests in our branches.
May it be so.
A Hare, A Shovel, A Pale Blue Envelope
“Can rabbits get rabies?” he asked. He didn’t want to touch it. I mentioned I already had.
I bent down, then, to look at its face and saw that its nose was bloodied and raw. “Its face is bleeding,” I said.
//
//
When I think of these two events - the injured hare and the pale blue envelope - coinciding, I am reminded of one of my favorite poems, 'Shoulders,' by Naomi Shihab Nye. In her poem, Nye describes a man cautiously crossing a street in the rain. The man carries his sleeping son. As he walks,
"His ear fulls up with breathing.
He hears the hum of a boy's dream
deep inside him."
Nye concludes her poem with a prediction,
"We are not going to be able
to live in this world
if we're not willing to do what he's doing
with one another.
The road will only be wide.
The rain will never stop falling."
Nye's poem gets at the heart of what I was doing that Saturday, what my friends were doing through their inquiries and gift. We were each crossing the street, pondering how another's need might intersect with the abundance of our own lives. It's not like I heard the hum of the rabbit's dream deep inside me, but I did hear the hum of a deeper truth. All of the many roads that divide us are nothing compared to the impulses of Love and Compassion that bind us all together.
(Click here to read or listen to the full poem.)
Twins, the Cross & Community
(A stomach bug arrived at our house last week and returned again today, wreaking havoc on my writing plans and life in general. So, I thought it might be a good time to re-post this one from the archives, from back when the twins were just 18 months old and we lived, daily, in a sea of chaos both deep and wide.)
Looking at Stars
The God of curved space, the dry
the hem of his mother’s robe.
- Jane Kenyon
It ran in a bright red stream
down the hand that held him,
splashing onto my pants and shoes as he waved his little hand around.
drop,
dropped
to the beat of his pulse,
falling onto the white counter-top like so many crimson beads off of a broken necklace. I felt it clinging to the hairs on the back of my hand and marveled at its rich scarlet hue.
Blood is messy and vital, rich, and yet we talk of it so complacently. Somehow, in our dainty sipping of communion cups, we manage to miss the mess and I wonder if, in missing it, we don't also miss the communion.
Christ came and died on the cross, where blood drop,
drop,
dropped out,
splattering onto those who gathered near. This is the community that Jesus establishes, a blood-splattered, blood-drinking communion of sinners turned saints.
Maybe we settle for something less because we’re afraid that, if anyone gets too close, we’ll vomit our messy lives all over them. But isn't it possible, my friends, that this bloody, messy communion, this breaking open of our lives like so many loaves of of bread, is what it’s really all about?
But We Have This Treasure (What Happened At My House This Weekend)
But we have this treasure in clay jars, so that it may be made clear that this extraordinary power belongs to God and does not come from us. 2 Corinthians 4:7
A petite Episcopalian priest and a divorced mother of two share one couch. A retired history professor and editor reclines in a corner chair. Beside him, a pastor's wife, worship leader and self-described 'queen of part-time jobs' sits cross-legged in a stiff Ikea chair. Next to her is another recent retiree, a musician and woodworker trying to get his legs back under him after a lifetime of work in the non-profit sector.
Beside me is a Grandmother with rheumatoid arthritis who works full time in the field of medical writing. My dog, Coco, sprawls sleepily on the couch between us, circuiting the room throughout the day to give and receive her fair share of attention.
We get to know each other over the course of the morning, beginning deep and going deeper still, with each of us likely sharing more than we intended to when the day began and yet finding ourselves relieved and grateful for it. By lunch time, there's a general sense of excitement and conversation flows freely.
Then, in the afternoon, we share our gifts - by which I mean, the writing we've labored over and likely felt more than a little scared to bring to share. One by one we pass white pages with black words printed on them, such deceptively simple dressing for expressions so near and dear to each writers' heart.
This is when the amazement begins.
The Episcopal priest, weighted down with the church's good work of Lent and impending Easter, labors daily on the creation of a science fiction novel. More than twelve chapters in already, she shares hopes of adding a prequel and sequel. As we read, a world unfolds (two planets to be exact), double-spaced across several pages and I'm amazed - not because it's either good or bad, but because it exists at all. And when the time comes for questions and feedback, the woman's lovely face lights up at each comment and every critique is welcomed as an opportunity to improve, an invitation to communicate more clearly.
This is how it goes for more than two hours. Pages passed around a circle and one by one the people in my living room are revealed to possess hidden treasure that shines and sparkles as they unveil a wide range of words. One writes so eloquently about friendship and music transcending a racial divide, that several readers gasp and tears spring to more than one set of eyes. Another writes a simple and sparse description of her fast from social media and we all find within her gentle words an invitation - what might we do with our hands and minds if we simply had more time?
Each story leaves us, like treasure hunters having stumbled across a rare jewel, longing for more.
"I should've brought all thirty pages," the retired professor says, obviously delighted by our genuine interest in his story.
"I only just recently resurrected this novel," the single mother says, "I'm not sure when I can commit more time to work on it." But we all, dazzled by the mystery woven in a few short pages, silently wish with baited breath and pleading eyes, for more.
At the end of the day, there's a palpable sense of encouragement, as we circuit the room one last time sharing our goals and 'takeaways' from the day. Although it's a writing retreat, it's been and always is, a spiritual experience for me. I am left with a profound sense of honor and gratitude, not unlike that which I felt entering and leaving the hospital rooms as a chaplain.
Within the human soul is a world of depth, meaning, and wonder - a small glimpse of divinity mirrored in the human being fully alive. Not just some humans possess this gift, we all do. I used to only see the great divide in that verse from Paul to the church of Corinth - the vast disparity between those earthen jars and God's extraordinary power. But, to read it that way, is to miss the point, at least in part.
Now I see it from another angle - God has placed treasure in these jars of clay and sometimes, on a Saturday afternoon in the middle of March, the moment will be just right for that glorious power to shine forth and it will be all you can do to keep from squinting at the glory revealed as sunlight dances across a room full of diamonds, a gathering of simple, human souls.
This past weekend Andi Cumbo-Floyd and I hosted our annual central PA writers' retreat. Sign up for my newsletter if you'd like to hear about future events and, if you're a writer, consider attending our next event June 23-5 on Andi's farm in Radiant, VA.

















